Tracing the Aesthetic Queerness of the Photographic Form via Wolfgang Tillmans’s Artistic Objects (2021)

Kwasi Ohene-Ayeh discusses evident and latent elements in Wolfgang Tillmans’s trans-photographic processes in terms of “aesthetic queerness”, by drawing on the conditions of formal plasticity, alternative pedagogy, and futural potentiality.

Kwasi Ohene-Ayeh, “Tracing the Aesthetic Queerness of the Photographic Form via Wolfgang Tillmans’s Artistic Objects” (extra sheet: Accra, 2021, pp. I-IV), in Wolfgang Tillmans: Fragile, exh. cat. Institut für Auslandsbeziehungen e.V. (ifa), Stuttgart, Germany, 2018.

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Tracing the Aesthetic Queerness of the Photographic Form via Wolfgang Tillmans’s Artistic ObjectsDownload