The Artist as Historical Materialist: Kelvin Haizel Exposing the Photographic Real (2022)
Seduced by the Charms of a Mistake: Reading Al Hassan Issah’s Spatial Formalism (2022)
Tracing the Aesthetic Queerness of the Photographic Form via Wolfgang Tillmans’s Artistic Objects (2021)
On Kelvin Haizel’s Indeterminate Images (2021)
In Praise of ‘Ghana Freedom’ (2020)
Notes on Contemporary Ghanaian Art: Histories and Emergence (2020)
A Phenomenological Reading of Elia Nurvista’s Früchtlinge (2019)
G.W.K Dawson: A Particular History of Ghanaian Modernism (2019)
On Emancipation, Freedom and Art… (2019)
On Universality and Curating in the Void (2019)
What is a “master”?— Critiquing the conceptual and political framework of the Kampala Art Biennale (KAB18)
How Can Art Save the World?: Reading the Lagos Biennial in Terms of Contradictions (2017)
Of the Oval and the Cross (2017)
See Me See You – Eric Gyamfi (2017)
Paragraphs on the Contemporary I & II (2016)
The Politics of Relationality – Part One (2016)
The Politics of Relationality – Part Two (2016)
Between The Lines: Silence (2015)
Ibrahim Mahama: Preserving Material History Through Exchange (2015)
The Artist and the Curator (2015)
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