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I.U.B…
Home
Projects
2015
Curatorial Projects
Silence Between The Lines: Anagrams of Emancipated Futures
Curatorial Statement
Voyage of [Re]Discovery
Voyage of [Re]Discovery_Nubuke Foundation Gallery
Voyage of [Re]Discovery_Ussher Fort Prison
2016
The Village of Arts and Humanities Residency
Project Summary
The Politics of Relationality – Part One
The Politics of Relationality – Part Two
Site-Specific Structure: Concept I
Site-Specific Structure: Concept II
The Supa Future Studio Collective
Collaborators
Publication
Interviews
Exhibition
Videos
2017
Orderly Disorderly Curatorial Statement
Orderly Disorderly Press Release
Texts
On [Pseudo-]Impossibilities and the Politics of Becoming (2023)
Oyindamola Fakeye: ‘Not Knowing Is Our Pedagogy’ (2023)
On Kelvin Haizel’s Indeterminate Images (2021)
Seduced by the Charms of a Mistake: Reading Al Hassan Issah’s Spatial Formalism (2022)
The Artist as Historical Materialist: Kelvin Haizel Exposing the Photographic Real (2022)
Tracing the Aesthetic Queerness of the Photographic Form via Wolfgang Tillmans’s Artistic Objects (2021)
In Praise of ‘Ghana Freedom’ (2020)
Notes on Contemporary Ghanaian Art (2020)
G.W.K Dawson: A Particular History of Ghanaian Modernism (2019)
A Phenomenological Reading of Elia Nurvista’s Früchtlinge (2019)
On Emancipation, Freedom and Art… (2019)
On Universality and Curating in the Void (2019)
What is a “master”?— Critiquing the conceptual and political framework of the Kampala Art Biennale (KAB18)
How Can Art Save the World?: Reading the Lagos Biennial in Terms of Contradictions (2017)
Of the Oval and the Cross (2017)
Paragraphs on the Contemporary (2016)
The Politics of Relationality – Part One (2016)
The Politics of Relationality – Part Two (2016)
Between The Lines: Silence (2015)
Ibrahim Mahama: Preserving Material History Through Exchange (2015)
The Artist and the Curator (2015)
The Displaced: Serge Attukwei Clottey (2015)
Conversations
Oyindamola Fakeye: ‘Not Knowing Is Our Pedagogy’ (2023)
In conversation with Kelvin Haizel (2020)
Ghanaian photographer Felicia Abban at the 2019 Bamako Encounters
In Conversation with YEVU (2019)
In Conversation with Eli A Freee – 2018
In Conversation with C& – 2016
In Conversation with Kitso Lelliott – 2016
In Conversation with Kwabena Agyare Yeboah – 2016
In Conversation with Toril Johannessen – 2016
In Conversation with Moses Serubiri – 2014
Exhibitions
TRANSFER(S) (2023-2024)
Curatorial Statement
TRANSFER(S) (Extended)
of Materials and things (2021)
About the Artists & Works
Online Viewing Room (OVR)
Akutia: Blindfolding the Sun and the Poetics of Peace (2020-2021)
“Akutia” videos
Curatorial Statement
“Streams of Consciousness” – 12th Edition Bamako Encounters Photography Biennial (2019/20)
On Thought Streams, Networks and Short Circuits
Press
Streams Of Consciousness: A Concatenation Of Dividuals
Spectacles. Speculations… (2018)
Gallery/About the works
[Essay] Curatorial Models
[Essay] Spectacles Speculations: In Terms of Images
Artists’ Profiles
Curatorial Statement
Brochure
Contributors
Cutting through the ‘Spectacles’ (2018)
Ghosts, decoys and dusts of Savannah: the possibilities of an artistic community (2019)
WHO WATCHES THE WATCHMEN? (2018)
Bio
2016
The Village of Arts and Humanities
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